“Prisoner of Azkaban” lost to “Finding Neverland” ( Jan A. The Potter film series was nominated twice in this category - for “Philosopher’s Stone” and “Prisoner of Azkaban.” Williams got unlucky with “Philosopher’s Stone” - he lost to Howard Shore‘s equally iconic “The Lord of the Rings: The Fellowship of the Ring.” Shame they didn’t tie. His Potter score is no different - the main theme is one of the most recognizable movie themes in history, up there with the likes of “Jurassic Park” and “Jaws” (two more Williams scores). John Williams has created so many iconic scores across his illustrious career he’s the second most-nominated individual in Oscars history with 53 bids (behind only Walt Disney). “The Lord of the Rings: The Return of the King” won Best Costume Design for similar reasons, so “Goblet of Fire,” “Order of the Phoenix,” and “Deathly Hallows - Part 1” should have at least been in contention. Each character has their own distinct style that helps to aid the actor’s performance and bring the character to life. She created Professor Umbridge’s gorgeous outfits in “Order of the Phoenix,” Mad-Eye’s rough and ready trench coat in “Goblet of the Fire,” and Bellatrix’s leather garments in the later films. Jany Temime did the costumes for the rest of the series. That was for Judianna Makovsky, who lost to “Moulin Rouge!” The costumes contribute so much to the characters in this film series: Dumbledore’s many robes, McGonagall’s hat and robes, Snape’s billowing cloak, and even Voldemort’s simple yet effective costume are all inspired works. It’s a similar story in the Best Costume Design category, although, somehow, only “Philosopher’s Stone” was nominated in this category. At least one of those four entries should have won. And their work on the final installments, which included further Ministry of Magic and Gringotts Bank sets as well as the destruction of Hogwarts, was equally impressive. Likewise, their work in creating the Ministry of Magic and Grimmauld Place in “Order of the Phoenix,” which failed to land any Oscar nominations, was equally impressive. Watching the corridors, the great hall, the grounds, the forest, and the common rooms was watching some of the richest sets come to life. In “Philosopher’s Stone,” they brought to life Hogwarts Castle with such detail and splendor it actually felt magical to watch. Craig and McMillan deserved to win at least once, however.
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